Lot No: 930

Estimate(RMB): 500,000-600,000

Price Realized(RMB):575,000(Including commission)

度母腰肢纤细挺拔,腹部肌肉线条明晰,显得极为匀称健美。袒上身,下身着轻薄贴体长裙,帔帛缠绕双臂,自然流畅,富有质感。全身饰以繁密精细的璎珞,华丽的项圈、环钏与耳饰交辉相应,身体两侧的莲花枝繁叶茂,较少见于其他造像中,整体工艺精细,艺术效果极强。绿度母左手结说法印,右手置膝间施与愿印,脚踏莲花,呈游戏坐姿坐于束腰仰覆莲台座上,台座上下边缘饰连珠纹,莲瓣尖细,瓣头略微上翘,具有明早期遗风,有别于康熙年间圆润饱满的莲瓣样式。夹纻工艺萌芽于战国,兴盛于隋唐,其步骤繁琐,属漆器工艺中难度较高的做法,主要为皇家御用高级匠师所掌握。 此尊康熙年间的京作夹绅绿度母像,承袭了明早期莲座的风格,造像整体明显带有汉藏风格相融合的特点,展现出极高的艺术水平,是难得一见的精品。此尊绿度母造像与现藏故宫博物院的一尊绿度母坐像和2015年北京诚轩秋拍的一尊夹纻漆金菩萨坐像无论造型、题材、风格都极为相似。虽与上述拍卖的绿度母同为夹纻胎,此尊绿度母像在艺术水平上更上乘,此尊开脸刚柔并济,身姿曼妙灵动,脚踏莲花,欲动未动,动静结合,可以看出每处细节匠师均有巧思。同时,在皮壳表现上,此尊彰显出高贵典雅的皇家气派,可见漆质更为上乘,用料更为扎实,实属康熙年间宫廷造像之典范。KANGXI PERIOD, QING DYNASTY A LACQUER FIGURE OF GREEN TARAH:32.5cmRMB: 500,000-600,000
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